Skip to main content

An actor who prioritized quality over the number of roles he took, playing many significant, memorable characters

By Harsh Thakor* 
Recently turning 60, Aamir Khan is undoubtedly one of the most versatile and grounded actors of his generation, and many consider him among the most talented to ever grace the Bollywood screen. Throughout his career, Aamir has portrayed a wide range of characters and was known for being very selective about his projects.
Few actors have immersed themselves as deeply and consistently into their roles as Aamir, who almost always brought authenticity to the characters he played. Whether it was a young romantic in 'Qayamat Se Qayamat Tak' or 'Dil,' a carefree young man in 'Dil Chahta Hai,' a compassionate art teacher in 'Taare Zameen Par,' a police inspector in 'Sarfarosh,' an idealistic villager in 'Lagaan,' a humble taxi driver in 'Raja Hindustani,' a terrorist in 'Fanaa,' a crusader in 'Rang De Basanti,' a sports trainer in 'Dangal,' an alien in 'PK,' or a traumatized man seeking revenge in 'Ghajini,' his nuanced facial expressions demonstrated a methodical approach to acting.
He played pivotal roles in many groundbreaking films, skillfully balancing intensity with a sense of detachment.
He proved that even a romantic lead could excel in character-driven roles and was highly experimental in exploring diverse character types. In my opinion, he surpassed Shah Rukh Khan in terms of being recognized more for his acting prowess than just his superstardom.
His first appearance on screen was as a child actor in the 1973 film 'Yaadon Ki Baaraat.' Born on March 14, 1965, Aamir grew up in a family deeply involved in the film industry. His father, Tahir Hussain, was a producer, and his uncle, Nasir Hussain, was a renowned director. This early exposure to cinema, however, didn't immediately lead him to acting. He focused on his studies and later explored filmmaking behind the scenes.
Aamir's rise to becoming a top Bollywood star was not an overnight success. His significant breakthrough came with 'Qayamat Se Qayamat Tak' in 1988, which made him a sensation and launched his career as a leading actor.
Aamir wasn't content with just being a romantic hero and gradually and significantly transformed into a versatile actor. Over the years, he consistently worked on improving his craft, exploring various genres, and showing a dedication to perfection. He also became a successful producer, backing meaningful and impactful films through his production house, Aamir Khan Productions. Few contemporary Bollywood artists have contributed as much to promoting progressive themes and values.
Films like 'Hum Hain Rahi Pyar Ke' and 'Dil Hai Ki Manta Nahin' also significantly shaped Aamir's career, where he skillfully combined preparation with spontaneity, projecting an image of someone serious, opinionated, and a perfectionist. In the mid-1990s, Aamir transitioned from a conventional hero to a true character artist, known for the distinct traits of his roles. 'Ishq,' 'Mann,' and 'Mela' were among his last films where he embodied the more traditional Bollywood style.
It would be fascinating to trace Aamir's evolution from a romantic star to a well-rounded actor exploring a wide range of roles.
It is regrettable that Aamir hasn't consistently championed progressive values throughout his career as he did at one point. He hasn't maintained the same progressive stance as actors like Paul Newman or Naseeruddin Shah.
He has also not been entirely open about his flaws, at times projecting an image of a character who seriously challenges societal injustices.
The icon has also been divorced twice, indicating a lack of lasting stability in his marriages.
Best Films:
 * Raja Hindustani (1996): In this romantic drama, Aamir played a humble taxi driver who falls in love with a wealthy woman. The film was a major box office success, and Aamir's performance, particularly in emotional scenes, showcased his skill and sensitivity, blending charm with a masculine presence.
 * Lagaan (2001): This film marked his debut as a producer. This epic sports drama, set during British rule in India, tells the story of villagers who challenge their British rulers to a cricket match to avoid heavy taxes. The movie was groundbreaking in many ways. Aamir's portrayal of the brave and resilient Bhuvan was captivating and thought-provoking, embodying simplicity and a rebellious spirit while skillfully mixing feelings of joy and despair.
 * Dil Chahta Hai (2001): This film explored a new dimension in Bollywood's portrayal of modern friendship. Playing Akash, a carefree young man with a great sense of humor, Aamir brought a fresh character to the screen. The movie realistically focused on the journey of three friends navigating love, career, and life's challenges. Aamir's performance made him a heartthrob and role model for younger audiences.
 * Rang De Basanti (2006): This film tells the story of a group of friends who, inspired by India's freedom fighters, take a stand against corruption and injustice. Aamir skillfully played DJ, a carefree college student who undergoes a significant transformation into a passionate activist when he recognizes the importance of fighting for a cause. The film's message of activism and change resonated with viewers, and Aamir's performance, embodying both intensity and adaptability, had an undeniable impact on Indian cinema.
 * Fanaa (2006): In 'Fanaa,' Aamir Khan portrayed a tourist guide with a hidden dark side. Paired with Kajol, Aamir delivered a powerful performance characterized by depth and emotion. He perfectly balanced the film's blend of romance and suspense, making it a hit, with his portrayal of a man torn by internal conflict showcasing his exceptional craftsmanship.
 * 3 Idiots (2009): Aamir Khan gave another outstanding performance in '3 Idiots,' a comedy-drama highlighting the pressures faced by students in the Indian education system. Playing Rancho with excellent method acting, Aamir's character emphasized the importance of pursuing one's passion over simply chasing success. The film became a cultural phenomenon, and its messages about education, friendship, and life resonated with audiences of all ages.
 * Ghajini (2008): This thrilling action film featured Aamir as a man with short-term memory loss determined to avenge the death of his loved one. Aamir underwent rigorous training to achieve the required physique for the role and delivered a remarkable performance. His direct and expressive acting effectively conveyed the story. Aamir's work in 'Ghajini' helped establish the action genre in Bollywood, making it one of its early big hits.
 * Taare Zameen Par (2007): Aamir not only played the lead role but also directed this film about a child with dyslexia. The movie was a touching story that explored the challenges faced by children with learning disabilities. Aamir sensitively portrayed a caring art teacher who helps the young boy discover his potential. The film's emotional depth and positive message demonstrated that films can both entertain and educate. Aamir's nuanced and sensitive portrayal of emotions, even in intense scenes, was graceful and well-balanced.
 * PK (2014): Aamir played an alien who lands on Earth and questions human customs and beliefs. The film, a blend of humor and thought-provoking commentary on religion and society, kept audiences engaged. 'PK' showcased Aamir's ability to combine entertainment with important social messages, delivering a captivating and awe-inspiring performance that reached exceptional heights of acting skill.
 * Dangal (2016): This biographical sports drama is based on the life of wrestler Mahavir Singh Phogat and his daughters. Aamir played Mahavir, who trains his daughters to become champion wrestlers despite societal expectations, with breathtaking intensity and passion. Aamir's impeccable timing in portraying the character's physical and emotional transformation was commendable.
 * Qayamat Se Qayamat Tak (1988): In a balanced and nuanced performance, Aamir as Raj marked the beginning of the end of the tragic romantic movie era, based on a story of two star-crossed lovers in feudal Rajasthan – a sweet, romantic Indian take on Romeo and Juliet, with Raj and Rashmi belonging to different clans.
 * Dil Hai Ki Manta Nahin (1991): Aamir plays a determined journalist tracking a runaway heiress who, in his pursuit of a big story, falls in love with her. His subtle acting nuances perfectly complemented this romantic comedy.
 * Mangal Pandey: The Rising (2005): Aamir Khan portrayed Mangal Pandey, the Indian soldier known for his role in sparking the Indian Rebellion of 1857 (also known as The First War of Indian Independence), with subtle skill and acting nuances.
 * Rangeela (1995): A man from the Mumbai streets falls in love with a young woman focused on her dream of becoming a Bollywood actress. In a nuanced performance as Munna, a street-smart orphan, Aamir perfectly embodied a character a heroine would choose over wealth and fame due to his generosity and innocence. His skillful portrayal of someone drawn to the film world was captivating. 'Rangeela' is more than just a typical romantic dramedy; it's a tribute to movies and the art of filmmaking from a true film enthusiast.
 * Sarfarosh (1999): At the end of the decade, Aamir also played an intense role in 'Sarfarosh,' portraying Ajay Singh Rathod, a serious and upright police officer completely in control.
---
*Freelance journalist

Comments

TRENDING

Beyond his riding skill, Karl Umrigar was admired for his radiance, sportsmanship, and affability

By Harsh Thakor*  Karl Umrigar's name remains etched in the annals of Indian horse racing, a testament to a talent tragically cut short. An accident on the racetrack at the tender age of nineteen robbed India of a rider on the cusp of greatness. Had he survived, there's little doubt he would have ascended to international stature, possibly becoming the greatest Indian jockey ever. Even 46 years after his death, his name shines brightly, reminiscent of an inextinguishable star. His cousin, Pesi Shroff, himself blossomed into one of the most celebrated jockeys in Indian horse racing.

Aurangzeb’s last will recorded by his Maulvi: Allah shouldn't make anyone emperor

By Mohan Guruswamy  Aurangzeb’s grave is a simple slab open to the sky lying along the roadside at Khuldabad near Aurangabad. I once stopped by to marvel at the tomb of an Emperor of India whose empire was as large as Ashoka the Great's. It was only post 1857 when Victoria's domain exceeded this. The epitaph reads: "Az tila o nuqreh gar saazand gumbad aghniyaa! Bar mazaar e ghareebaan gumbad e gardun bas ast." (The rich may well construct domes of gold and silver on their graves. For the poor folks like me, the sky is enough to shelter my grave) The modest tomb of Aurangzeb is perhaps the least recognised legacies of the Mughal Emperor who ruled the land for fifty eventful years. He was not a builder having expended his long tenure in war and conquest. Towards the end of his reign and life, he realised the futility of it all. He wrote: "Allah should not make anyone an emperor. The most unfortunate person is he who becomes one." Aurangzeb’s last will was re...

PUCL files complaint with SC against Gujarat police, municipal authorities for 'unlawful' demolitions, custodial 'violence'

By A Representative   The People's Union for Civil Liberties (PUCL) has lodged a formal complaint with the Chief Justice of India, urging the Supreme Court to initiate suo-moto contempt proceedings against the police and municipal authorities in Ahmedabad, Gujarat. The complaint alleges that these officials have engaged in unlawful demolitions and custodial violence, in direct violation of a Supreme Court order issued in November 2024.

How the slogan Jai Bhim gained momentum as movement of popularity and revolution

By Dr Kapilendra Das*  India is an incomprehensible plural country loaded with diversities of religions, castes, cultures, languages, dialects, tribes, societies, costumes, etc. The Indians have good manners/etiquette (decent social conduct, gesture, courtesy, politeness) that build healthy relationships and take them ahead to life. In many parts of India, in many situations, and on formal occasions, it is common for people of India to express and exchange respect, greetings, and salutation for which we people usually use words and phrases like- Namaskar, Namaste, Pranam, Ram Ram, Jai Ram ji, Jai Sriram, Good morning, shubha sakal, Radhe Radhe, Jai Bajarangabali, Jai Gopal, Jai Jai, Supravat, Good night, Shuvaratri, Jai Bhole, Salaam walekam, Walekam salaam, Radhaswami, Namo Buddhaya, Jai Bhim, Hello, and so on. A soft attitude always creates strong relationships. A relationship should not depend only on spoken words. They should rely on understanding the unspoken feeling too. So w...

राजस्थान, मध्यप्रदेश, पश्चिम बंगाल, झारखंड और केरल फिसड्डी: जल जीवन मिशन के लक्ष्य को पाने समन्वित प्रयास जरूरी

- राज कुमार सिन्हा*  जल संसाधन से जुड़ी स्थायी समिति ने वर्तमान लोकसभा सत्र में पेश रिपोर्ट में बताया है कि "नल से जल" मिशन में राजस्थान, मध्यप्रदेश, पश्चिम बंगाल, झारखंड और केरल फिसड्डी साबित हुए हैं। जबकि देश के 11 राज्यों में शत-प्रतिशत ग्रामीणों को नल से जल आपूर्ति शुरू कर दी गई है। रिपोर्ट में समिति ने केंद्र सरकार को सिफारिश की है कि मिशन पुरा करने में राज्य सरकारों की समस्याओं पर गौर किया जाए। 

State Human Rights Commission directs authorities to uphold environmental rights in Vadodara's Vishwamitri River Project

By A Representative  The Gujarat State Human Rights Commission (GSHRC) has ordered state and Vadodara municipal authorities to strictly comply with environmental and human rights safeguards during the Vishwamitri River Rejuvenation Project, stressing that the river’s degradation disproportionately affects marginalized communities and violates citizens’ rights to a healthy environment.  The Commission mandated an immediate halt to ecologically destructive practices, rehabilitation of affected communities, transparent adherence to National Green Tribunal (NGT) orders, and public consultations with experts and residents.   The order follows the Concerned Citizens of Vadodara coalition—environmentalists, ecologists, and urban planners—submitting a detailed letter to authorities, amplifying calls for accountability. The group warned that current plans to “re-section” and “desilt” the river contradict the NGT’s 2021 Vishwamitri River Action Plan, which prioritizes floodpla...

CPM’s evaluation of BJP reflects its political character and its reluctance to take on battle against neo-fascism

By Harsh Thakor*  A controversial debate has emerged in the revolutionary camp regarding the Communist Party of India (Marxist)'s categorization of the Bharatiya Janata Party. Many Communists criticize the CPM’s reluctance to label the BJP as a fascist party and India as a fascist state. Various factors must be considered to arrive at an accurate assessment. Understanding the original meaning and historical development of fascism is essential, as well as analyzing how it manifests in the present global and national context.

Haven't done a good deed, inner soul is cursing me as sinner: Aurangzeb's last 'will'

Counterview Desk The Tomb of Aurangzeb, the last of the strong Mughal emperors, located in Khuldabad, Aurangabad district, Maharashtra, has this epitaph inscribed on it: "Az tila o nuqreh gar saazand gumbad aghniyaa! Bar mazaar e maa ghareebaan gumbad e gardun bas ast" (the rich may well construct domes of gold and silver on their graves. For the poor folks like me, the sky is enough to shelter my grave).

Implications of deaths of Maoist leaders G. Renuka and Ankeshwarapu Sarayya in Chhattisgarh

By Harsh Thakor*  In the wake of recent security operations in southern Chhattisgarh, two senior Maoist leaders, G. Renuka and Ankeshwarapu Sarayya, were killed. These operations, which took place amidst a historically significant Maoist presence, resulted in the deaths of 31 individuals on March 20th and 16 more three days prior.

How polarization between different ideological trends within the communist movement sharpened in India

By Harsh Thakor*  This article is a rejoinder to A Note on Slogans of “Left Unity,” “Unity of the Communist Revolutionaries” and “Mass Line” by Umair Ahmed, published on the Nazariya blog .