Time to revisit Raj Kapoor's classics, rediscover his vision of inclusive, just, compassionate India

By Vidya Bhushan Rawat*

Raj Kapoor, born 100 years ago, left an indelible mark on Indian cinema before his untimely death at 66. He was not just an actor, director, and producer but a visionary who celebrated collective creativity. His legacy is incomplete without acknowledging the immortal contributions of Mukesh, the legendary lyricist Shailendra, the iconic duo Shankar-Jaikishan, and writer Khwaja Ahmed Abbas. Raj Kapoor uniquely cherished and credited his collaborators, unlike many others in an industry often plagued by "intellectual theft."

Shailendra, Kapoor's "Kaviraj," was a genius lyricist who penned some of the most memorable songs in Indian cinema. Tragically, he passed away in 1966 at the young age of 43, leaving Raj Kapoor devastated. Their collaboration created timeless classics, including Teesri Kasam, which, despite critical acclaim, failed commercially. Kapoor always mourned the loss of Shailendra and his unparalleled artistry.

Mukesh, often described as Kapoor's "voice and soul," epitomized the innocent, common-man characters Kapoor portrayed on screen. Alongside them, Shankar-Jaikishan’s magical compositions enriched the RK Films banner. Together, they redefined cinematic music, creating songs that remain iconic to this day.

Early Bold Choices

Raj Kapoor began his directorial journey at 24 with Aag (1948), a film that was strikingly bold for its time. Its narrative and Mukesh's hauntingly beautiful "Zinda hoon is tarah ke gham-e-zindagi nahi" captured audiences. This was followed by Barsaat (1949), which introduced the iconic RK Films logo, symbolizing Kapoor’s partnership with Nargis, who starred alongside him in 12 films. With Barsaat, the quartet of Shailendra, Mukesh, and Shankar-Jaikishan became inseparable from Kapoor's cinematic universe.

Social Themes and International Fame

Awara (1951) was a masterpiece that resonated globally, with the song "Awara Hoon" becoming a rage internationally. The film challenged societal prejudices and explored themes of redemption and justice. Its groundbreaking dream sequence, "Ghar Aaya Mera Pardesi," showcased Kapoor's visual imagination.

Kapoor’s romantic chemistry with Nargis reached its zenith in films like Chori Chori ("Aaja Sanam Madhur Chandni Mein Hum") and Shree 420 ("Pyar Hua Ikrar Hua"). Their on-screen love seemed so genuine that it became synonymous with innocence and purity.

Exploring India’s Soul

In Jis Desh Mein Ganga Behti Hai (1960), Kapoor played the titular “Raju,” whose simplistic charm embodied the spirit of an inclusive India. Its titular song, "Hum Us Desh Ke Vaasi Hain," captured the essence of a nation built on unity and hospitality.

Jagte Raho (1956) and Boot Polish (1954), though commercial underperformers, were cinematic gems that critiqued societal hypocrisies and injustices. Kapoor later lamented not revisiting such themes, citing their exhausting creative demands.

Transition to New Eras

After the commercial failure of Mera Naam Joker (1970), a deeply personal project, Kapoor pivoted his focus. Despite its box-office rejection, the film remains a testament to his idealism, featuring unforgettable songs like "Jeena Yahan, Marna Yahan."

Kapoor then embraced a new cinematic phase with films like Bobby (1973), introducing fresh talent and a youthful perspective. He also explored bold themes in Satyam Shivam Sundaram, Prem Rog, and Ram Teri Ganga Maili. While critics accused him of exploiting nudity, Kapoor defended his storytelling as authentic to his narratives, never crossing into vulgarity.

The Spirit of Socialism

Kapoor’s films consistently championed social justice and inclusivity. His brand of socialism was deeply humanistic, rooted in ideals of equality and hope. Through characters that represented the oppressed and the marginalized, he gave voice to India’s struggles and aspirations.

Timeless Philosophy

Two songs capture Kapoor’s philosophy of life:

1. From Mera Naam Joker:

"Kal khel mein hum ho na ho,

Gardish mein taare rahenge sada."

2. From Anari:

"Kisi ke muskuraahaton pe ho nisaar,

Kisi ka dard mil sake toh le udhaar,

Jeena isi ka naam hai."

Both reflect Kapoor’s enduring optimism and belief in humanity.

A Legacy Beyond Cinema

Raj Kapoor’s films were more than entertainment; they were powerful vehicles for socio-political commentary, combining artistic brilliance with profound messages. His collaborations with legends like Shailendra, Mukesh, and Khwaja Ahmed Abbas elevated Indian cinema to new heights.

As we celebrate his centenary, let us revisit his classics and rediscover his vision of an inclusive, just, and compassionate India. Raj Kapoor remains an unparalleled luminary whose work continues to inspire generations.

---

*Human rights defender

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